SPIN VFX IS PROUD TO BE PART OF THE WINNING TEAM Spin VFX is proud to announce their Outstanding Visual Effects, Television, Hollywood Post Alliance Award win as part of the Game of Thrones visual effects team. Game of Thrones…
“KATANA makes our pipeline a far more advanced offering. We are now able to compete for a broader spectrum of work. It does this in a number of ways. Firstly, it gives us the ability to have a script based…
Spin VFX is proud to announce their Outstanding Special Visual Effects Emmy win as part of the Game of Thrones VFX team. GAME OF THRONES / EPISODE 1 / VALAR DOHAERIS Joe Bauer, Lead Visual Effects Supervisor Jorn Grosshans, Visual…
After explaining the work of Spin VFX on the TV series THE BORGIAS in a recent Art of VFX interview, Doug Campbell has worked as a senior compositor on THE TWILIGHT SAGA: BREAKING DAWN PART 2 and JACK REACHER. He now…
Spin announces their work on Season 3 of HBO’s Game of Thrones. “We thank HBO and the VFX Production team for the opportunity to work on such a challenging and rewarding production as Game of Thrones. We are extremely proud…
Spin VFX announced today the scope of their work on Season 3 of The Borgias (Showtime/Bravo). “Working with Neil Jordan, Take 5 and the entire production team has been a delight. Together, we have pushed the boundaries of feature…
Congratulations to the teams! Outstanding Special Visual Effects Game Of Thrones • Valar Dohaeris • HBO • Bighead, Littlehead, Television 360, Startling Television and Generator Productions in association with HBO Entertainment Joe Bauer, Lead Visual Effects Supervisor Jörn…
Spin announces the scope of their work in M. Night Shyamalan’s sci-fi action adventure After Earth for Columbia Pictures. Working with DIVE VFX Supervisor, Mark O. Forker and Producer David James, Spin VFX Supervisor Jeff Campbell and Producer, George…
Robert Redford leads a rugged survival-at-sea story from the “Margin Call” director. Robert Redford keeps the film afloat, even as his character has no such luck with his boat, in All Is Lost, a rugged, virtually dialogue-free survival-at-sea story that sustains attention against considerable…
There are more lights, cameras and action for Toronto’s film, television and visual effects industries compared to a few years ago. “Six or seven years ago, you could still be flicking through the channels and you could go, ‘Oh there’s…
