VFX Editor (Night Shift)

Do you have an exceptional eye for detail? Are you an experienced editor looking to work with an award winning team? If so – let’s chat!

As the VFX Editor, you will work closely with Producers to manage all incoming media and outgoing deliverables. The VFX Editor also has the ability to create a functioning environment where the Visual Effects Supervisor can evaluate any version of any shot in the current sequences, for aesthetic and technical direction. You will spend your days:

  • maintaining sequence edits and inserting visual effects shots into the timeline
  • incorporating all required versions of visual effects shots into the current cuts of the VFX/live action sequences
  • managing and documenting the turnover of shots from editorial through to delivery including ingesting new media into pipeline
  • ensuring Shotgun is maintained with current shot counts, lineup and any retime instructions
  • ensuring that published shots conform to the current edit and perform basic QC checks
  • preparing sequence edits for internal and client approvals
  • creating daily playlists and operate the screening room system for dailies
  • performing shot specific colour corrections to match editorial reference
  • performing shot retimes to match supplied editorial reference

You must have:

  • 5+ years of editing experience within the film and television industry
  • expert knowledge of Final Cut Pro
  • the ability to convert between key numbers, time-codes and frames
  • excellent communication and multitasking skills
  • an eye for detail and thorough understanding of techniques, file formats, colour-space, software and technology relating to the live action visual effects
  • proven accuracy and organizational experience
  • knowledge of Avid and DaVinci resolve is a plus
  • some knowledge of Nuke, Shotgun and Tweak RV would be an asset as well

If this sounds like you, please submit your cover letter and resume to careers@spinvfx.com. Be sure to include “VFX Editor” in the subject line.